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While one might answer the two questions put at the beginning of this study rather quickly by stating a rule of thumb - scientific elements make a text a science fiction text, magical ones make it a fantasy text - it is obvious that this would lead to a very broad definition.
It is thus necessary to go into detail, which I am going to do. In order to investigate what, apart from the technical and the magical elements, are the characteristics of the respective genres mentioned at the beginning, I am going to give the definitions of these terms which can be found in standard reference texts. In order to go into detail, I shall add more information from academic literature about the fantastic genre, which both science fiction and fantasy are part of.
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I would then like to go a step further by testing the definitions with the help of three texts - H. Wells's The War of the Worlds as an example for the science fiction genre and Bram Stoker's Dracula as an example for a fantasy text. In this text, there are elements of both science fiction and of fantasy. After this, I would like to conclude my study. Any selection of texts will necessarily be arbitrary, as it is impossible to include everything into a study like this.
I chose three texts from approximately the same period, as this will provide a sound basis. In addition, these texts are widely known, and there is generally no dispute over the fact that they are part of the fantastic genre. In addition, there is one more aspect. Within the inner circle of fantasy - the fiction of the presently unreal - is a smaller circle still, a subset of a subset, and this is sf.
It shares with fantasy the idea of a Novum: some new element, something that distinguishes the fiction from reality as presently constituted. A novum could be a Vampire or a colonized planet. The sub- subset that is sf insists that the novum be explicable in terms that adhere to conventionally formulated law; the remainder, fantasy, has no such requirement. To cut the definition to an irreducible minimum: mimetic fiction is real, fantasy is unreal; sf is unreal but natural, as opposed to the remainder of fantasy, which is unreal and supernatural.
Or, simpler still, sf could happen, fantasy couldn't. If there is magic, it is fantasy4. However, in order to get a clearer insight into the issue, it will be necessary to have a closer look at the two genres.
Science Fiction: The Literature Of Change In order to thoroughly discuss the difference between Science Fiction and Fantasy, it is essential to first clearly define the two terms. Scientific development is most obviously the most important aspect of the genre. It is also the most, possibly the only, undisputed one. Yet, it is only one aspect.
The definition has to be stated more precisely. He writes: Science Fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger.
Yet, this definition is still too vague. The aspects mentioned in it, apart from the scientific one, are not a sine qua non. Jules Verne's stories, for example, are clearly set in the real world of his present day.
In addition, there is no element in them which could be considered a threat to the human race or to a civilization. Apart from that, at least in more modern science fiction texts, it does not necessarily have to be the human race which is in the focus of attention.
As can be seen from the example of James Cameron's Avatar, it is also possible that it is the human race which poses a threat to other races. It is obvious that the world of Avatar, namely the planet of Pandora, is not the earth of the early 21st century.
Yet, the film features a group of people from earth who travel to another planet. They are only able to do this because of their advanced technology - a central aspect of a science-fiction text, according to Gunn. Nevertheless, this indicates the difficulty of proposing a satisfactory definition. In one of his other texts about science-fiction, Gunn addresses this problem. Gunn writes: The difficulty with science fiction-and proceeding from that to definition-is that science fiction isn't just one thing.
It has no recognizable action, or recognizable milieu, like the western, or recognizable relationship, like the romance. It is about the future-except where it is about the past or the present.
It can incorporate all the other genres: one can have a science-fiction western, a science-fiction romance, and, most commonly, a science-fiction adventure story. Some sports use a ball, but not all do. Some use some form of racket or bat, but many don't. Many involve strenuous physical exercise, but some diving, snooker, target shooting don't. Some require acute hand-eye coordination, many don't.
Joely Sue Burkhart. My Solace. Alanea Alder. The Girl in the Road.
Monica Byrne. The Undefeated. Una McCormack. Susan Hayes. Blood Song. Anthony Ryan. Sword of Honor. Thea Atkinson. A Discovery of Witches.
Deborah Harkness. Silver in the Wood. Emily Tesh. June Cixin Liu. Prophecy of Magic.
Heather Marie Adkins. October Storm Cursed. Patricia Briggs. Der Werwolf: The Annals of Veight Volume 5.
August The Dragon's Discovery. Jessie Donovan. Fall; or, Dodge in Hell.
Neal Stephenson. The Priory of the Orange Tree.
Science Fiction And Fantasy
Samantha Shannon. Good Omens. Neil Gaiman.
Morgan Rice. September Iron Kissed. Torture Princess: Fremd Torturchen, Vol. Keishi Ayasato. The Hallowed Knight. Jenn Stark. Silence Fallen.
Gideon the Ninth. Tamsyn Muir. Empress of Forever. Max Gladstone. Air Logic. Laurie J. The Beyond. Chloe Neill. The Hanged Man. Elemental Heir.
Rachel Morgan. The Ascent to Godhood. JY Yang. July The Prisoner's Key. A Reflection of Shadows. Anne Renwick. Cadoc's Contract. Chris Rosser. A Portion of Dragon and Chips. Simon Haynes. Welcome to Qurilixen. Michelle M. Stargazer Alien Barbarian Brides 1. Tasha Black. The October Man. Ben Aaronovitch. David Walton. The Time of Contempt.
Andrzej Sapkowski. Kill the Queen. Jennifer Estep. The Commanders' Mate. Grace Goodwin. Tiamat's Wrath. James S. The Temple of Forgotten Secrets.
December The Annals of Veight Volume 4. Bone Crossed. Dragon Actually. The Collapsing Empire. John Scalzi. The Severed City.
Christopher Mitchell. Shadow of the Overlord. Kevin Potter. The Soul Destroyer. Elicia Hyder. Temple of Flames. Andrea Pearson. Skye MacKinnon. Domna, Part Six.
Tammie Painter. Pimp My Airship. Maurice Broaddus. The End Tastes Like Pancakes. Russell Nohelty. The Cassandra Complex. Wendy Nikel. Ruby Heart. Donna Maree Hanson. The Queen's Executioner. Demons and DNA. Meghan Ciana Doidge. Red Bush. Johannes Johns. The Black Masquerade. Rise of the Stone Court. Jayne Faith. The Stone Sky.
All Systems Red. Martha Wells. No Time to Spare.
Ursula K.Meine Geschichte German Edition. Blake Sci-fi Fantasy Rating: Books Revenge is coming, one that will destroy the entire galaxy in it's wake! Garcia finds himself up against unimaginable forces, agencies, his own crew, and is even fighting himself. Here you can find free books in the category:
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